In 1989, the boy Martin Bristol has congenital insensitivity to pain with anhidrosis (CIPA), a rare neural disorder, in which the patient does not feel pain, heat or cold. He is abducted by the deranged serial-killer Graham Sutter (Brett Rickaby) and brought to the Sutter Meat and Poultry, an abandoned meat-packing plant in Minersville, Pennsylvania, where Graham slaughters young women that he kidnaps. Five years later, the stubborn seventeen year-old teenager Allison Miller loses her parents and moves to the house of her uncle Jonathan Miller that is located near to the decrepit plant. Jonathan, his wife Karen and their little daughter Wendy welcome Allison, but the teenager does not give much attention to her new family. Allison likes to run alone on the road and she passes by the meat-packing plant and then she meets the mechanic William "Billy" and has a crush on him. Jonathan advises Allison to avoid running near the old factory and Billy, who is a problematic teenager. Allison ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Frank Henenlotter's BASKET CASE 2 picks up right where the original BASKET CASE leaves off. After surviving the fall from their hotel room window, Duane Bradley and his misshapen, basket-dwelling brother Belial are taken to the city hospital. By now, their attempt at leading a secret life is blown, and the pair have become media darlings across the country. Meanwhile, Duane's long-lost Aunt learns of their situation and, along with her pregnant daughter Susan, helps them escape from the confines of the hospital and the eye of the press. Duane and Belial's aunt, known as Granny Ruth, takes them under her wing at her mansion, which serves as a safe haven for hideously deformed freaks of all shapes and sizes. Unfortunately, the whereabouts of this dynamic duo don't remain secret for too long, and Duane and Belial team up with Susan, Granny Ruth, and her houseful of mutants to devise a plan to do away with the exploitative reporters once and for all. Written by Matt Huls (cowman777@hotmail.com)

Adapted from a stage play by Christopher Shinn, the debut feature from Joshua Sanchez is a provocative rumination on race and sexuality set on a sweltering 4th of July evening.